The Atelier
An artist from Govardhan, painting in Faridabad.
Lorem ipsum dolor sit amet — born in the village of Krishna, trained in oil, working from a north-light studio in Faridabad. Sandhya paints to memory and to commission, one canvas at a time. The lineage is small. The list is small. The wait is six weeks.
सन्ध्या
Lineage
Govardhan, before it was a destination
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Sandhya was born within walking distance of the parikrama path — the seven-kilometre circumambulation of Govardhan hill that pilgrims have done at first light for as long as the village has remembered. The hill is small. The walk is large. The paintings, when they begin, begin from there.
Lorem ipsum — the village of Krishna was, for the artist as a child, simply the village. The colour vocabulary — vermilion, lapis, indigo, mustard, mango-leaf green — came home from temple courtyards before it came from any teacher. It still does. The vermilion is ground in Sangli; the linen comes from Belgium; everything else, including the eye, comes from Braj.
Lorem ipsum dolor sit amet — she trained in oil after college. The first commission was for a wall in a Faridabad home where the family had a small Pichwai. The painting was a Govardhan in slow morning. It is still on the wall, twelve years later. The studio has not changed since.
The Faridabad studio
North-light, palette knives, one easel
Lorem ipsum — the studio is a single room in Sector 21, Faridabad, on the second floor. North-light fills it for six hours a day. The easel is one. There is no assistant. Sandhya stretches her own canvases, primes them, and paints them. Tuesday is studio-update day: a photograph at five, a WhatsApp before the afternoon light goes.
Lorem ipsum dolor sit amet — the studio does not produce on a schedule. It produces on a queue. Each painting is begun only after a customer chooses; the queue is six weeks at most, longer for XL sizes. The painting on the easel right now belongs to someone.
— Sandhya, Faridabad
Materials & method
Four proofs the painting is real
Pigment
Lorem — ground vermilion from Sangli, kumkum-red. A small jar lasts six paintings.
Linen
Lorem — Belgian linen, lead-free oil ground. Hand-stretched on kiln-dried pine in Faridabad.
Knife
Lorem — palette knife, impasto build, six layers. The brush is for signing.
Cure
Lorem — six weeks at the easel, drying north-light. The paint dries by physics; the wait is real.
Parikrama notes
On walking Govardhan at first light
— Sandhya, May 2026
Lorem ipsum — the parikrama begins before light. Pilgrims set out with small brass kalashes of Yamuna water; the seven kilometres are walked barefoot, and the hill is small enough to feel familiar within twenty minutes.
Lorem ipsum dolor — at the first turn the eastern light comes up over the lower fields. Vermilion is the colour I want; ochre is the colour I get. The painting begins, every time, with the negotiation between the two.
Lorem ipsum — consectetur adipiscing elit. There is no shortcut. The painting is a walk that other people will not walk.
Visit the studio
By appointment, weekday mornings
Lorem ipsum — the Faridabad studio receives visitors by appointment, weekday mornings only. The easel is in use; we ask that visits be brief. WhatsApp first; we will confirm a day and a time.
Request a studio visit- Address
- Sector 21, Faridabad, Haryana
- Hours
- Mon–Sat · 10 am – 1 pm
- Closed
- Sundays, all monsoon Tuesdays
- Visits
- By appointment only · WhatsApp first
- +91 8279982113
Lorem — write to Sandhya. She replies herself.
Lorem — Mon to Sat, before the afternoon light goes.
WhatsApp SandhyaOr write — studio@artbysandhya.com