Painted to order · begun after you choose · 4–6 weeks from the Faridabad studio
Sandhya in her Faridabad studio

The Atelier

An artist from Govardhan, painting in Faridabad.

Lorem ipsum dolor sit amet — born in the village of Krishna, trained in oil, working from a north-light studio in Faridabad. Sandhya paints to memory and to commission, one canvas at a time. The lineage is small. The list is small. The wait is six weeks.

सन्ध्या

Lineage

Govardhan, before it was a destination

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Sandhya was born within walking distance of the parikrama path — the seven-kilometre circumambulation of Govardhan hill that pilgrims have done at first light for as long as the village has remembered. The hill is small. The walk is large. The paintings, when they begin, begin from there.

Lorem ipsum — the village of Krishna was, for the artist as a child, simply the village. The colour vocabulary — vermilion, lapis, indigo, mustard, mango-leaf green — came home from temple courtyards before it came from any teacher. It still does. The vermilion is ground in Sangli; the linen comes from Belgium; everything else, including the eye, comes from Braj.

Lorem ipsum dolor sit amet — she trained in oil after college. The first commission was for a wall in a Faridabad home where the family had a small Pichwai. The painting was a Govardhan in slow morning. It is still on the wall, twelve years later. The studio has not changed since.

The Faridabad studio, looking north

The Faridabad studio

North-light, palette knives, one easel

Lorem ipsum — the studio is a single room in Sector 21, Faridabad, on the second floor. North-light fills it for six hours a day. The easel is one. There is no assistant. Sandhya stretches her own canvases, primes them, and paints them. Tuesday is studio-update day: a photograph at five, a WhatsApp before the afternoon light goes.

Lorem ipsum dolor sit amet — the studio does not produce on a schedule. It produces on a queue. Each painting is begun only after a customer chooses; the queue is six weeks at most, longer for XL sizes. The painting on the easel right now belongs to someone.

— Sandhya, Faridabad

Palette knives and ground vermilion on the studio bench Linen stretched on kiln-dried pine, ready for ground

Materials & method

Four proofs the painting is real

Pigment macro

Pigment

Lorem — ground vermilion from Sangli, kumkum-red. A small jar lasts six paintings.

Linen macro

Linen

Lorem — Belgian linen, lead-free oil ground. Hand-stretched on kiln-dried pine in Faridabad.

Knife macro

Knife

Lorem — palette knife, impasto build, six layers. The brush is for signing.

Cure macro

Cure

Lorem — six weeks at the easel, drying north-light. The paint dries by physics; the wait is real.

Parikrama notes

On walking Govardhan at first light

— Sandhya, May 2026

Lorem ipsum — the parikrama begins before light. Pilgrims set out with small brass kalashes of Yamuna water; the seven kilometres are walked barefoot, and the hill is small enough to feel familiar within twenty minutes.

Lorem ipsum dolor — at the first turn the eastern light comes up over the lower fields. Vermilion is the colour I want; ochre is the colour I get. The painting begins, every time, with the negotiation between the two.

Lorem ipsum — consectetur adipiscing elit. There is no shortcut. The painting is a walk that other people will not walk.

Visit the studio

By appointment, weekday mornings

Lorem ipsum — the Faridabad studio receives visitors by appointment, weekday mornings only. The easel is in use; we ask that visits be brief. WhatsApp first; we will confirm a day and a time.

Request a studio visit
Address
Sector 21, Faridabad, Haryana
Hours
Mon–Sat · 10 am – 1 pm
Closed
Sundays, all monsoon Tuesdays
Visits
By appointment only · WhatsApp first

Lorem — write to Sandhya. She replies herself.

Lorem — Mon to Sat, before the afternoon light goes.

WhatsApp Sandhya

Or write — studio@artbysandhya.com